South Coast Comedian of the Year Competition

I’ve done a few gigs since my last post, starting with a triumphant return to the Lion’s Den Comedy Car Crash, where I did many of my very early open mic spots. I’ve not been able to do the gig for about a year because of childcare issues, but on this particular night I found myself at a loose end and decided to drop in and was pleased to see that it hasn’t changed a bit.

Lion’s Den is unique on the London scene in that you don’t need to book ahead, you just show up on the night and put your name in the hat to get drawn at random for a five minute spot. You don’t need a bringer either. Because of that it tends to be popular with people who are really new, and you always get a wild mix of potential, delusion, genius, and borderline mental health issues.

Before I started doing standup, this was exactly how I thought all open mics would be, but in London you really only get that at the Lion’s Den – it’s got a genuine “anything goes” vibe, for better or worse.

As I was waiting in the queue I realised I didn’t recognise any of the other acts, which is unusual these days. Eventually Gaëlle Constant (who runs the London Stand Up Comedy Map on Facebook) showed up, I’ve chatted to her a couple of times in the past, so there was at least one friendly face, and we had a good yack in the bar before the show.

It was a fun gig, lots of randoms, and Boyce Bailey always does a great job of MCing. I churned out my current five minutes to a fairly a mediocre response. A couple of bits got decent laughs, but mostly it was just low-level titters – given the audience was almost entirely made up of other acts, that’s about the best I could hope for.

The following night I did a spot at Sam Rhodes Comedy Explosion in Dalston, at the Rocksteady, where I’ve been quite a lot recently because it’s a nice non-bringer gig close to where I work, so it’s very easy for me to do.

Again, I didn’t really do anything different to my current five, because I had a competition coming up and just wanted to practice. The last time I did this gig Sam gave me a ten spot and I kind of fluffed it, but this time around it went much better.

Instead of launching right into my set I started off with a little banter with Sam, and addressed something that was going on in the bar (they were showing Gladiator on a big screen, for some reason). This feels a bit better than just launching straight into my opener, especially since it can take a little too long to get to the first punchline, so I decided to make a conscious effort to do it more often.

The next chance I got was on Monday this week when I did a spot at We Are Funny Project in Dalston – another non-bringer conveniently close to work, which I’ve done a lot recently. I had gone to the gig planning to do a completely new five minutes because I was bored of churning out the same set. But as I was sat in the bar I got chatting to some of the other acts and was struggling to memorise the new stuff, so I wimped out and decided to do my usual shit instead.

The MC, Alfie, handed me a bit of a gift, as he let his 12 year old son do a spot before I went up (and he killed, btw) so when I took the stage I opened with “I wish I could tell you this is the first time I’ve followed a twelve year old boy…” – it was a bit cheap, but it got me one of the longest laughs I’ve ever had at an open mic night, so I’m not sorry.

After that I ploughed on with my usual material, but I tried to restructure my set by moving some of the bits around to make it fit together a little better, and my flow just wasn’t right and my energy was off so, while I got laughs, none of them were big and my closer flopped completely.

All the same, it was a great fun night and I got to spend some time chatting with Gus Singh, Lee Hudson, and Andrew Buchan, who were all firing on all cylinders. In the bar before the show a French guy, Mickael N’dour, introduced himself as a reader, and told me it was his second gig – but did an amazing job. It always depresses me when new acts are so good. I also bumped into another reader, a new act called Stephen Young, who I’ve met a couple of times now and is getting into his stride.

It’s cool to have got to a point with this where most of the time I go to a gig I know a few people and get to compare notes, catch up and generally have a bit of chit chat. Even if this comedy thing doesn’t ever go anywhere for me (and there’s at least an 80% chance of that happening) it’s just good to feel like I’m part of something and hanging out with people who could go onto great things.

Finally, on Wednesday of this week I went to Portsmouth Guildhall for my heat of the South Coast Comedian of the Year Competition. When I got to the venue I met a couple of guys I know from London, Horatio Gould and Jacob Hatton, and I got chatting to some of the local acts too. There was a nice friendly vibe, as there often is at these things, more camaraderie than competition.

There were ten acts in total, and I was up fourth, just before the first break. The venue space was weird, kind of an open hall that had been sectioned off with black drapes and odd lighting. It felt a bit like the kind of place where you might see a live sex show, so I riffed on that as an opener, which worked reasonably well, and then cracked on with my polished material.

There were about 30 paying audience members, and they all seemed pretty receptive to my stuff – and I was getting good solid laughs all the way through. By the time I left the stage I felt like I’d done as good a job as I could with that material.

The top three acts of the night were picked by an audience vote, and even though I don’t generally expect to get anywhere in these things (on account of being yet another middle aged hetero white guy) I half thought I was at least in with a chance this time. It wasnt to be though, and the two acts who went through to the semi finals were Horatio Gould and a great character act called Michael Buttersworth.

I’m ready to start doing some new material now that these competitions are out of the way, although I’ve got a spot at the Comedy Store King Gong show on the 29th so I don’t want try new stuff there, except maybe a punchier opener. Other than that gig, I’m going to focus on trying out new stuff at gigs now, for a while at least.

I can’t believe I’m only on 87 gigs so far, it feels like much more, but at least the psychologically important 100 milestone is within reach.


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